Peter Coke was born in Southsea in 1913 and is a member of a branch of the distinguished Norfolk family made famous first in the 17th century by the influential Lord Chief Justice, Sir Edward Coke and in the following century by “Coke of Norfolk”, the agricultural pioneer of Holkham Hall.
His early years were spent in Kenya, where his father was a coffee farmer. He later returned to England to attend the progressive Stowe School. He had six careers throughout his long life.
- Consular official (briefly).
- Actor, achieving lasting fame as Paul Temple in the radio serials by Francis Durbridge. To hear Peter Coke talking about his experiences of playing this role, search for “Peter Coke played Paul Temple, Youtube”, (the first half hour of this sound-only four-hour programme).
- Playwright, with many successes to his credit, including “Breath of Spring”.
- Army officer during World War II.
- Antique dealer, with a shop in the King’s Road, Chelsea, for many years.
- Shell artist extraordinaire.
Even as a young actor he had started to collect antiques. Later, in his shop, he had a number of Sailor Valentines, eight-sided arrangements of shells which 19th century sailors were said to have made on the return journey from the West Indies for their wives and girlfriends back home (though usually they bought them ready made). During visits to friends in Barbados he was able to collect shells to repair examples which were damaged, and from this he progressed to making reproductions of Sailor Valentines. This led to a fascination with the amazing variety of shapes and colours in which seashells, especially from tropical waters, are found.
In 1976 he “retired” to North Norfolk where he re-established his antiques business at Sharrington Hall, near Holt. Having collected shells as a hobby for so many years, and having experimented with various ways of using them decoratively, he spent increasing amounts of his time in this activity until, in his early 80’s, he was persuaded by friends to mount the first of what became a series of exhibitions of his work in London. These were a great success, with about half the pieces on display usually being sold at prices far greater than he had originally imagined. His work has been purchased by many well-known customers in the arts and entertainments world and by members of the royal family. Eventually, he turned his antiques show-room into a shell-art gallery and devoted all his time to his art. He continued working daily on his shell sculptures until just before his death in July 2008 at the age of 95.
Shells have always fascinated humans and were among the earliest objects to be used decoratively by our distant ancestors, in particular for bodily adornment. They are in themselves beautiful objects, competing with flowers, birds and butterflies in the spectacular profusion of their colours and shapes. Unlike these competitors they retain their colours almost indefinitely and provided that their former occupants have died naturally, no ethical problems arise from collecting them.
Many National Trust properties contain examples from the 18th and 19th centuries of their extensive use in decoration (National Trust Magazine, Summer 2007, p 33) and many examples exist of shell work produced by refined Victorian ladies.
Peter Coke, through his extensive knowledge of shells and the shell-art techniques used by earlier generations, built on these traditions and took them to levels of sophistication not previously seen. The quantity and variety of his output was amazing and (to risk being both sexist and ageist) it is incredible that work of such delicacy could be produced by a man of advanced years.
His work ranged from two-dimensional geometric arrangements, such as the Sailor Valentines on which he began, to shell pictures in the Chinese style, to shell encrusted boxes, obelisks and figures and finely detailed model garden scenes in three dimensions. His principal output, however, and that to which the art-form is arguably most suited, was in the representation of floral subjects, sometimes as individual blooms and occasionally as complex arrangements in a profusion of colours and forms. All the colours are natural – unlike many Victorian predecessors he did not artificially colour his shells.
This is an unusual art-form, contrasting strongly with most of today’s conceptual and abstract art which receives wide coverage in the media. Like all art, it will not appeal to everyone, but no-one could dispute its visual impact and technical brilliance. There are currently very few practitioners of this art-form in Britain, though some are to be found in the United States, and it will probably become increasingly rare as time progresses, partly because of difficulties in sourcing the shells.
Peter Coke had been hoping for some time that, instead of being dispersed to collectors, a substantial body of work representing the range of his output would be available for the public to see. After spending two years searching for a venue which was large enough to house the collection, the opportunity arose to base it in part of the former longshore fishermen’s sheds at Westcliff, Sheringham, recently restored by Sheringham Preservation Society and approximately 12 miles from his home.
A collection of over 100 shell-art creations, all the work of Peter Coke, was generously donated by him to the Preservation Society in 2006, on condition that it is displayed in perpetuity. When he died in 2008 he bequeathed more of his work, making a grand total of almost 200 pieces. Most of these are permanently on display, with some variation from year to year.
The gallery is closed during the winter months. See the Opening Times page for current opening times, but please note that as the gallery is staffed entirely by volunteers, it will be closed if volunteers are not available.
Westcliff, where the gallery is situated, is at the seaward end of Morris Street. A public car park is situated in Morris Street, a short walk from the gallery. It can also be reached easily from the West Promenade (turn left at the seaward end of the High Street by the Two Lifeboats Hotel and walk a short distance along the promenade), being attached on the landward side to the Fishermen’s Heritage Centre. This can be found close to the concrete bridge over the Fishermen’s Slope or West Slipway (see map).
Admission is free, but voluntary contributions are invited to cover the upkeep of the building. For further information or to arrange a group visit, please Contact Us.
The following are reviews of and comments on Peter Coke’s exhibitions in London.
Numerous pieces of exquisite shell work. His flower arrangements are undisputedly the most popular and rank among the finest in the world. Country Homes and Interiors
Decorative objects each encrusted with fabulously coloured shells. The Times
A National Living Treasure…… We decided to celebrate some of Britain’s great craftsmen of which Peter Coke is one. Country Life
Wonderful art. The Daily Telegraph
Rococo treasures. Interiors
Superb delicate creations. Eastern Daily Press
The most exquisite decorative objects…. He creates a stream of shell masterpieces. Home Antiques
Shells of unimaginably glorious hues of orange, purple, mauve, green and apple blossom pink. Weekend Telegraph
Went to Mount Street to see Peter Coke’s remarkable shell work; the flower arrangements are superb, his patience and skill are staggering. Sir Alec Guinness in his autobiography, “My Name Escapes Me”
For a specialist review of the exhibits on display in the Peter Coke Shell Gallery, Sheringham, with illustrations, go to the website of the British Shell Collectors’ Club, click on Articles, then select the one headed Peter Coke Shell Museum by Selina Wilkins (but for current opening times, remember to refer to our own Opening Times page).